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We’ve updated our Terms of Use. You can review the changes here.

The Worst Photo Booth Ever - Unrehearsed and Socially Distant

by The Worst Pop Band Ever

Yin and Yang 01:17


The soundtrack to a short film/radioplay about an angsty teenage art student who finds unexpected success with a makeshift photo booth. With terrible puppetry, musical numbers, some low brow humour, fine art and a glimmer of hope.

The soundtrack is only available on bandcamp and no other streaming services.

The video available on the WPBE Youtube page

Featuring 2 new originals recorded outdoors, socially distant, with no rehearsal, live in one take. Also includes 3 new versions of tunes that we recorded individually while quarantined in our homes and then mixed.


released December 23, 2020

A PPF House Production

- Drew Birston – Electric Bass, Vocals, Composer of All That’s Left
- Matt Dusk – Camera work, Location Scouting,
Sound recording and mixing of anything by a pool
- Adrean Farrugia – Keys, Composer of REMember
- Chris Gale – Sax, Scat, Composer of Richard’s Rhyme
- Rebecca Hennessy – Trumpet, maker of babies
- Michael Herring – Acoustic Bass, maker of babies
- Dafydd Hughes – Keys, Composer of Inor Man
- Sophia Perlman – Vocals, Good Sport
- Howie Shia – Artwork
- Leo Shia – Turntables, Video Editing of anything by a pool
- Tania Shia – Camera work on anything by a pool
- Tim Shia – Drums, Narration, Puppetry,
Sound and Video mixing/editing of everything not by a pool
Composer of Love is for Losers

We acknowledge the support of the Canada Council for the Arts, The Toronto Arts Council and the Ontario Arts Council

Along with Special thanks to the In the Soil Festival, and the Markham Jazz Festival, for their various levels of support that lead to this strange project.


all rights reserved



The Worst Pop Band Ever Toronto, Ontario

With influences ranging from Wayne Shorter to Levon Helm to J Dilla, this Toronto based group tries to combine a love of jazz and indie pop. Whether it be blending acoustic bass with turntables or analog synths with the saxophone, the WPBE sets out to twist & bend both originals and covers, straddling genres and butting heads with expectation. The ugly lovechild of Miles Davis & Radiohead. ... more

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